Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young Black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both.

Originally published in 1978, Black Macho and the Myth of the Superwoman caused a storm of controversy. Michele Wallace blasted the masculine biases of the black politics that emerged from the sixties. She described how women remained marginalized by the patriarchal culture of Black Power, demonstrating the ways in which a genuine female subjectivity was blocked by the traditional myths of black womanhood.

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being Black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

A Day Late and a Dollar Short

The Prices are introduced by Viola, the family's outspoken matriarch: Her husband, Cecil, has shut the door behind him for the last time; and their four adult kids, scattered across the country, seem determined to send her to her grave, or at least to the hospital with worrying. Paris is divorced, mother to a nearly seventeen-year-old son and the one who always comes to everybody's rescue, although she doesn't have a clue as to how to save herself. Lewis is the scapegoat, and his troubles keep landing him in jail, which only seems to confirm what his family thinks he is. Out in Chicago, Charlotte knows she's gotten the short end of the stick for years, has "nothing in common except blood" with her parents and siblings and would just as soon divorce them all. Janelle, the baby of the family, is not only on the defensive about the course of her own life but she's facing a new crisis, a fast-brewing storm with her teenage daughter that threatens more than she's willing to admit. And don't even ask Viola about Cecil: "He's a bad habit I've had for thirty-eight years which would make him my husband." But Cecil has some ideas for taking his hardworking life into his own hands, regardless of what his wife and kids think about it.

The Interruption of Everything

With The Interruption of Everything, her sixth novel, McMillan takes on the fault lines of mid-life and family life, reminds us once again of the redeeming power of friendship, and turns her eye toward the dilemma of how a woman starts to put her own needs higher on the to-do list while not shortchanging everyone else.

Marilyn Grimes, wife and mother of three, has made a career of deferring her dreams to build a suburban California home and lifestyle with her husband, Leon. She troubleshoots for her grown kids, cares for her live-in mother-in-law, Arthurine (and elderly poodle, Snuffy), keeps tabs on her girlfriends, Paulette and Bunny, and her own aging mother and foster sister...all the while holding down a part-time job. But at 44, Marilyn's got too much on her plate and nothing to feed her passion. She feels like she's about ready to jump. She's just not sure where.

Highly entertaining, deeply human, a page-turner full of heart and soul, The Interruption of Everything is vintage Terry McMillan, and a triumphant testament to the fact that the detour is the path, and living life "by the numbers" never quite adds up.

In Bulletproof Diva, Lisa Jones brings the wit and candor of her infamous Village Voice column, "Skin Trade," to a much larger audience. Chock full of the "fierce black girl humor" that has made her column so popular, this provocative collection of essays and observations on race, sex, identity, and the politics of style speaks to a young generation of blacks who were raised in an integrated society and are now waiting for America to deliver on its promises of equality. The thirty-seven short pieces and six long essays in Bulletproof Diva cover a wide range of topics, many of them extremely controversial. Jones moves smoothly from issues of ethnicity in a changing America, challenging viewpoints on African-American and mixed race identity, to "butt theory" and the roller-coaster politics of black hair. Written in a style that is as appealing as it is unapologetic, Bulletproof Diva marks the debut of a genuinely gifted young writer with a distinctive voice and a fresh perspective on the black cultural scene.

Singing in the Comeback Choir

Maxine McCoy has made it. She has overcome the odds she faced as an African-American woman from a working class Philadelphia neighborhood to become a successful television producer in Los Angeles. She loves her hard-working, ambitious husband, and is pregnant with her first child. She does worry, though, that the shows she produces are of no social value. But this concern drops away when she receives a phone call from her grandmother's caretaker and learns she has to return to Philadelphia.

Brothers and Sisters

Struggling with her own personal issues after the Los Angeles riots, Esther Jackson, a black employee at a downtown bank, is heartened when a black man is hired as senior vice-president, until he sexually harasses her white friend and coworker.

Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer, who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.

An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power—and limitations—of family bonds.

Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery.